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Camille Rose Garcia
Mica-encrusted, ebony swirls weave through Camille Rose Garcia‘s most recent body of work, Hydra of Babylon, on display at Merry Karnowsky Gallery in Los Angeles, CA through October 10th, 2009. In...
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T.V. Santhosh
The Guild Art Gallery in Mumbai and Jack Shainman Gallery in New York City have partnered to present Blood and Spit, an exhibition of new paintings by artist T.V. Santhosh. The exhibition, which...
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Jonathan Torgovnik and Heather McClintock
Alema Rose, Aler IDP camp, Uganda, Heather McClintock, 2006 The College of Charleston‘s Halsey Institute of Contemporary Art presents a photographic exhibition that pairs Jonathan Torgovnik‘s Intended...
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Interview with Wangechi Mutu
In February 2010, Kenyan-born, New York-based artist Wangechi Mutu was named the Deutsche Bank’s “Artist of the Year.” Her accompanying exhibition, My Dirty Little Heaven will open later this month at...
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Allison Smith at MCA Denver
The contemporary art world – accepting as it may be of the most oblique artistic practices – still responds tentatively to artists engaging with notions of craft. Yet, at a time when the handmade – a...
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Ahmed Alsoudani: Psychological Warfare
It was almost impossible not to take notice of Iraqi-American artist Ahmed Alsoudani’s mass invasion at the Venice Biennale this year – if the vivid colours and immense canvases didn’t immediately...
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Abolishing War: A Conversation with Krzysztof Wodiczko
Krzysztof Wodiczko’s work is powerful, politically charged and bears great momentum. Best-known for transforming architectural structures and monuments through loaded public projections, Wodiczko’s...
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Remnants of Revolution: Writing on the Wall in Barcelona
Cities are filled with innumerable details and a foreign land can be barrage of data. In Barcelona, on a walk, I drift from details of leafy building ornamentation to blank walls of flaking stucco,...
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From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko
Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with...
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New Objectivity: Modern German Art in the Weimar Republic, 1919–33, at LACMA
Following World War I and the humiliating terms of the Treaty of Versailles, the Weimar Constitution was ratified, establishing Germany’s first democracy. It ushered in a thriving cultural climate:...
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Summer Session: Rug of War
Today from our friends at REORIENT, we bring you an excerpt from Elnaz Bokharachi’s consideration of Afghan War Rugs: The Modern Art of Central Asia at the Scotsdale Museum of Contemporary Art. In...
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Luis Cruz Azaceta: War and Other Disasters at Abroms-Engel Institute for the...
Over the past four decades, Luis Cruz Azaceta has continued to mine the vast possibilities of expressionism—a style that often lends itself to forms of humanism, idealism, originality, and angst that...
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Hashtags: House of Horrors
#privatization #gentrification #immigration #violence #history #freedom At the time of this writing, Pedro Reyes’ Doomocracy installation at the Brooklyn Army Terminal feels like a relic of a bygone...
View ArticleSpotlight: N-o-nS…e;nSI/c::::a_L
Continuing our week highlighting the work of N-o-nS…e;nSI/c::::a_L, today we bring you a selection by co-founder Vivian Sming: “In ‘Extraordinary But Not Quite Magic: What Makes the War On Terror So...
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